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I recall specifically one breakfast at a hotel that was recommended by Elton John, where Todd Haynes invited Brian Eno, Bryan Ferry, and the cast of the film. I was spending time in London, where we were filming, and working with a lot of different musicians. and towards me, saying complimentary things about the work that we did, so I felt included in that particular movement.Īnother big album for me around this time was the soundtrack to Velvet Goldmine, a film all about glam rock that I was an executive producer on. They really reinvigorated the Athens scene and brought something very unique, and it felt incredibly collaborative. Jeff Mangum and the whole Elephant 6 collective were doing this really incredible live performance stuff everywhere all the time. This Neutral Milk Hotel record was written on the same street where I do a lot of my work here in Athens. Neutral Milk Hotel: In the Aeroplane Over the Sea We were toddlers-not even toddlers, we were still pissing our diapers.
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But we were just learning how to write songs. We met Bill Berry, who Kathleen was dating at the time, and Bill knew Mike Mills from Macon, Georgia. I met Peter Buck, and we decided to start a band through our roommate Kathleen O’Brien.
Right around that time, I fell into this group of nascent punk rockers in Athens. When all the punks in New York were still putting safety pins in their cheeks, the B-52’s were like, “Well, that’s what you do, and this is what we do and this is how we do it.” It was just fucking scorched earth.
That first B-52’s album still hasn’t gotten the recognition that it deserves as one of the most groundbreaking and influential records of all time-most certainly on me and everyone around the Athens scene. It must’ve been the most boring place on Earth for an 18-year-old punk rocker like me.īut as it turns out, Athens was the home of the B-52’s and this whole underground scene.
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Back then, I thought Athens was just this very small college town full of hippies and granola. But I soon ran out of money and came to Georgia. Louis and was living with a punk band while going to my first quarter of college there.
My father retired, and he and my mother moved to Athens, Georgia in 1978. And another one was “I Want to Hold Your Hand” by the Beatles, if you can believe it. One of them was Tammy Wynette’s “ D-I-V-O-R-C-E.” Roger Miller’s “ King of the Road,” which I wound up covering years later with R.E.M.
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I could still sing it to you right now, a cappella-for $7,000.Īnyway, that record store owner also handed us a couple of singles for free as we were leaving because I guess we were charming. There was the song “I Enjoy Being a Boy (In Love With You)” by the Banana Splits. Those records sounded terrible, with a lot of distortion, but it’s all we knew. We begged my mother to get a certain type of breakfast cereal because you could cut out records that were imprinted on the back of the box. The only music that I really had was what was on pop radio in the middle-of-nowhere Texas and what was on TV: the Monkees, the Archies, and particularly the Banana Splits, who were a band of animals that were created for a children’s TV show.
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